Publications

Book Chapters

“Memória de ouro, corpo cerâmico: The Durable Art of Aurea Oliveira Santos,” Los Angeles County Museum of Art. Forthcoming.

“Stipan Tadić: Levity as Resource and Method,” in Stipan Tadić. Metropolis: 36 Views of New York (New York, NY: James Fuentes Gallery, 2023).

“El Museo de Arte Moderno de Bogotá y la contención política: tensiones entre la definición de lo político en el arte y la (des)articulación de la movilización social," in Horizontes culturales de la historia del arte: aportes para una acción compartida en Colombia, ed., Diego Salcedo Fidalgo (Bogotá: Universidad Jorge Tadeo Lozano, 2018).

"'Doblemente atípicos': arte de la segunda mitad del siglo veinte del archipiélago de San Andrés, Providencia y Santa Catalina," in Dimensión desconocida. Otros relatos del Caribe - 16 Salón Regional de Artistas Zona Caribe, eds. María Isabel Rueda and Mario Llanos (Bogotá: Ministerio de Cultura de Colombia, 2018).

Edited Volumes

“Espiritualidades no hegemónicas y arte contemporáneo de América Latina y el Caribe,” Boletín Cultural y Bibliográfico, Biblioteca Luis Ángel Arango 57, no. 104, 2023. Contributions by Carolina Castro Jorquera, Astrid González, Luis Eduardo Luna and Petrouchka Moïse.

Articles

“Spiritual Promiscuity, Psychedelic Interdependence, and The First World Congress of Sorcery,” Entheogenic Review, eds., Jeffrey Breau and Paul Gillis-Smith, Center for the Study of World Religions, Harvard Divinity School, 2025.

“Activismo espiritual y contracultura souvenir: el Primer Congreso Mundial de Brujería, 1975,” Boletín Cultural y Bibliográfico, ed. Julián Sánchez González, Biblioteca Luis Ángel Arango 57, no. 104, 2023.

“Vessels of Myth: The Shamanic Paradigm in the Works of Arnaldo Roche Rabell, Belkis Ayón, and Purvis Young," Caribbean Cultural Institute, Pérez Art Museum Miami, 2021.

Case Study of Rubem Valentim’s Untitled (1956 – 1962), Museum Research Consortium Dossier 5: Gifts from the Patricia Phelps de Cisneros Collection, The Museum of Modern Art, 2021.

“Caribbean Popular, Caribbean Contemporary: Current Artistic Practices of Port of Spain, Trinidad and Tobago,” The Patricia Phelps de Cisneros Collection, 2020.

“12 Artists from the Caribbean and Its Diaspora Who Are Shaping Contemporary Art,” Artsy Editorial, 2019.

“Rubem Valentim and Ibrahim El-Salahi: Strategies of Hybridization and Abstraction in the Global South,” Post: Notes on Modern and Contemporary Art around the Globe, The Museum of Modern Art, 2018.

“Caribbean Popular, Caribbean Contemporary: Current Artistic Practices of Havana, Cuba,” The Patricia Phelps de Cisneros Collection, 2017.

“Caribbean Popular, Caribbean Contemporary: Current Artistic Practices of Port-au-Prince, Haiti,” The Patricia Phelps de Cisneros Collection, 2017.

“Caribbean Popular, Caribbean Contemporary: Current Artistic Practices of Santo Domingo, Dominican Republic," The Patricia Phelps de Cisneros Collection, 2017.

Exhibition Reviews

“Exhibir la abstracción latinoamericana: lo bueno, lo malo y lo no tan bonito,” Estudios Curatoriales, Universidad Tres de Febrero, 2020.

“On View: 2019 Whitney Biennial," Caribbean Beat Magazine, 2020.

Artist Bios

Lance de los Reyes", "María Guzmán Capron", and "Koyoltzintli" in Flow States: La Trienal 2024, eds., Rodrigo Moura, Susanna V. Temkin, and María Elena Ortiz (New York, NY: El Museo del Barrio, 2024).

“Max Bill” in Kunsthaus Dalem, Der Unbekante politische Gefangene, ed. Dorothea Schöne (Berlin: Wasmuth & Zohlen, 2020).

“Valentim, Rubem," Grove Art Online, Oxford Art Online, 2018.

Press Releases

“RAVINE 23 by Alejandro Cárdenas,” Almine Rech Gallery, 2023.

Reflections

“Crónica de un viaje antillano (o de un viaje al centro de mí)" in Revista Huellas, Universidad del Norte, 2020.